“There wasn’t much difference, so far as I could see, between them and most of us,” answered the little old lady. “You’re not married, dear,” she continued, glancing at Joan’s ungloved hand, “but people must have a deal of patience when they have to live with us for twenty-four hours a day. You see, little things we do and say without thinking, and little ways we have that we do not notice ourselves, may all the time be irritating to other people.” In his letter to Joan he went further. He had received his uncle’s letter, so he confided to her. Perhaps she would think him a crank, but he couldn’t help it. He hated this killing business, this making of machinery for slaughtering men in bulk, like they killed pigs in Chicago. Out on the free, sweet sea, helping to keep it clean from man’s abominations, he would be away from it all.!

She went up to her room. There really was not much to do. She could quite well finish her packing in the morning. She sat down at the desk and set to work to arrange her papers. It was a warm spring evening, and the window was open. A crowd of noisy sparrows seemed to be delighted about something. From somewhere, unseen, a blackbird was singing. She read over her report for Mrs. Denton. The blackbird seemed never to have heard of war. He sang as if the whole world were a garden of languor and love. Joan looked at her watch. The first gong would sound in a few minutes. She pictured the dreary, silent dining-room with its few scattered occupants, and her heart sank at the prospect. To her relief came remembrance of a cheerful but entirely respectable restaurant near to the Louvre to which she had been taken a few nights before. She had noticed quite a number of women dining there alone. She closed her dispatch case with a snap and gave a glance at herself in the great mirror. The blackbird was still singing. “There’s something bigger coming,” he said. “Here everything seems to be going on much the same, but over there you feel it. Something growing silently out of all this blood and mud. I find myself wondering what the men are staring at, but when I look there’s nothing as far as my field-glasses will reach but waste and desolation. And it isn’t only on the faces of our own men. It’s in the eyes of the prisoners too. As if they saw something. A funny ending to the war, if the people began to think.”

“It comes to the same thing, doesn’t it, dear?” she answered. “They are there, anyhow. And that is how He knows those who are willing to serve Him: by their being pitiful.” It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. “Be good, sweet child. And let who can be clever,” Joan quoted. “Would that be your text?”